Thursday, 5 November 2009

STARDAY RECORDS 530

MUSICAL-AIRES
Sept 55 (BMI clearance on 28th Oct 55)
45-530-A - Hop-A-Long Sister Mary
(Dills/ Mauney)   (Starrite BMI)
45-530-B - Wildcat Boogie
(Dills)   (Starrite BMI)
STARDAY RECORDS 530
(Band from NC)
The Musical-Aires were Rich Mauney, Carol Dills and Jim Waller. “Hop-A-Long Sister Mary” was also issued as “Skip Along Guitar” on STARDAY ep-258. It was then subsequently issued on STARDAY LP 176 as “Skip Along” and credited to TOMMY HILL. Both sides are nice country / hillbilly guitar led instrumentals. Reminds me of early Chet Atkins. See comment below from Dave Penny with regards to Carol Dills.  (MC / Al Turner / Phil Tricker)

Label Shots: Phil Tricker



NEW STAR RECORDS 529

OTIS PARKER
Aug 55 (BMI clearance 4th Sept 55)
45-529-A - They Don't Have To Operate (They Just Pull The Zipper)
(Parker)    (Starrite BMI)
45-529-B - False Love Affair
(Parker)    (Starrite BMI)
NEW STAR RECORDS 529
Box 869, Covington, GA
Nothing on Otis Parker. The A side is a fast paced comedy-hillbilly with piano & guitar accomp. B side is a typical country “broken-hearted” song. I found a mention of a record on Holiday 109 by an Otis Parker ("Bugle Call From Heaven" / "Many Times") - rev by Billboard on 29th Sept 1951, but I can't say if it's the same artist.(MC)
23 May 2010 - Update.
Corresponded with Cheryl Parker, the daughter of Otis. Here's her story ....
Before I answer your questions, let me provide you with a little history. My father and mother divorced when I was 12 years old after 25 happy/unhappy years together. There were 8 children, I am next to the youngest (I am 51). My father was the typical country music person......."sacrifice everything for the love of it". He knew everyone who was anybody in the late 40s and early 50s. He worked behind the scenes at the Grand Ole Opry back before the people who sang there made the big bucks they make today. Many of them visited our home after the shows were over to eat and drink. Jim Reeves was a frequent visitor and friend (through their mutual work in radio)........he held my sister on his lap and sang "Roly Poly" to her. Lester Flatt and Earl Scruggs were good friends of my father (my other sister remembers having the biggest crush on Scruggs, she said she would sit at his feet and stare at him......she was only about 4 at the time).......as was Tex Ritter. He was at my fathers home in Reno not long before he (Tex) died. My parents went through alot together and loved each other.........they just couldn't live together. My father remarried, my mother never did.
I didn't see my father from the time I was 12 until I turned 25 when I heard he was back in Tennessee and that he was ill. Two of my brothers and I made the trip to see him. we visited with him for a few days and then the next time I saw him was at his funeral. My father was a talented man.........just not good at being a father. Sounds like a country song doesn't it? I don't hold it against him though.......none of us are perfect.
My mother had several of his recordings but in 1972 someone broke into our home and trashed it, shattering all of his records "for fun".........I guess. I have no idea if any of them survive anywhere else. One that he did stands out in my mind because it was so beautiful........it was called "This Is My Life".......I haven't heard it since I was a child, but I still remember the tune and some of the words. It turned out to be the story of his life as it went....it was about being gone and forgotten What a shame that I don't know if a copy exists somewhere.
I do have a couple of 45s that he gave me when I visited him..........he recorded them under the name of Jimmy Parker........the name he went by later in life. His full name was James Otis Parker.
I just wanted to share this info with you so that you would understand why I don't have many photos of him........or know much about his life as a whole.
Just a little trivia...........he spoke fluent Spanish, was self taught on the piano and guitar, taught college courses for a time, and.....he stuttered. Not all the time........just when he got excited or upset....then he stuttered badly.
Even though I didn't get to spend the time I would have liked with my father, I am proud of his talent ............he just had to dream........which isn't entirely bad.
I am glad that something of what he did remains.............I am sure that more of his music is out there somewhere, I just don't know where.........or how to find it. I guess I will have to treasure what I have. I am sure you probably know that the "Zipper" song is on a CD being sold on Amazon. It's on there with other songs by other artists of the era and was released by Jasmine Music out of the UK. I contacted them about it and was informed of the "public domain" law........which I was already aware of. My father didn't protect what he created. It may be the law.........but it doesn't make it right.
Anyway...........on to your questions........................
Where and when was Otis born?
He was born on March 19, 1920 in Brush Creek, TN He was the son of a tobacco farmer. His mother died when he was young but his father outlived him by several years.
Can you remember the bands he played in?
Unfortunately, I do not know of any bands, other than one he lead in the 1970s. My father did mostly solo work.
Was he ever on TV and radio performing in the 50's?
I don't know if he was ever on tv (I know he was later in life in Reno) but he worked for the Grand Ole Opry in the late 40's. And he also co-owned a radio station with Grandpa Jones and worked for several radio stations. It was while working in the radio station field that he made most of his recordings.
Can you remember who was in his band?
No, sorry. Other than the one in later years, I have no info.
Where was the disc recorded and when?
My older sister seems to remember that the "Zipper" song was recorded while they lived in Beaumont, Tx. (before I was born) They lived in several places.....Nashville, Athens, TN, Athens, Ga, Rome Ga,, Atlanta, Ga., Beaumont, Tx. and Mobile, Al (where I was born)
Can you remember how many copies were pressed?
I have no idea how many copies were made of the recording. Nor any of the many others he did. Zipper was not the only song he wrote and recorded.
Who paid for the recording and the record?
I would imagine my father did. He might have had some backing but I believe most of the money would have been his.
What did he do after the record musically? Was he still performing?
My father was what some call "a jack of all trades".... and he was full of "wander lust"...he worked for many years in the music industry and then decided he wanted to see the world so he became a chef and joined the merchant marines and traveled the world for several years before going back into the business in the late 60's/early 70s. His life WAS a country song..........full of drama, pain, sadness. In later years he went by Jimmy.......a nickname for James, his real first name........Otis was his middle name.
When and where did he pass away?
He passed away on November 28, 1984 in Carthage, TN which is about 60 miles east of Nashville. He is buried in a cemetery on a hill with Tennessee hills all around. At his funeral they played one of his songs "Will There Still Be Country Music", it's about dying and wondering if there would be country music in Heaven and would he have a place there. It was a fitting song.
I thank you for your interest in my father...........he would have been impressed that his music was still interesting to someone.
Cheryl Parker
Gee, not often to I get to add more than a few lines on any artist listed here. So it was great to hear from Cheryl. Now I know he recorded other records, I'll try and get a discography going on Otis. Cheryl kindly sent me label shots for two of them which I'll add later on.

Label Shots: Al Turner
Photos: Cheryl Parker




The Parker Household




STARDAY RECORDS 528

WANDA BALLMAN with Eeny, Meeny, Miney and Mo
Aug 55 (BMI clearance on 14th Oct 55)
45-528-A - Think It Over (Before You Cast Your Stone)
(Ballman)   (Starrite BMI)
45-528-B - I'm Gonna Keep My Eye On You
(Ballman)   (Starrite BMI)
STARDAY RECORDS 528
I know a little regarding Wanda - she was from Jonesboro, AR and one of her compositions (“I’m Sorry I’m Not Sorry”) was recorded by Carl Perkins as a flipside to “Dixiefried” (Sun 249). Oh, and she recorded a few demos at Sun Records. She seems to have been a reasonably prolific songstress as she has had her tunes covered by the likes of Loretta Lynn , Kitty Wells and Charlie Pryde amongst many others. Both sides of this 45rpm are pretty good tonkin’ stuff. and anybody who sings Honky Tonk as “Hawkny Tawnk” will always get my vote. Sadly, Wanda passed away on Sept 21st 2005 at her home in Goodlettsville, TN. (MC / Phil Tricker/ Country Music News - Nov 2005)

Email me!


Label Shots: Phil Tricker




STARDAY RECORDS 527

DON PAYNE
Aug 55 (BMI Clearance on 14th Oct 55)
527-A - Kickaroo
(L Wheatley)   (Starrite BMI)
527-B - The Game Of Breaking Hearts
(D Payne / D Wheatley / D Freeman)   (Starrite BMI)
STARDAY RECORDS 527
Alas, once again I have turned up empty on the info front. Apart from this disc, I’ve seen “Pogo The Hobo” / “Forever” - Starday 150 - on a record list as a $10 rocker - but I’ve not heard it so couldn’t possibly comment. A side is a nice kicking hillbilly tune with a western swing flavour, with nice guitar solo, alongside steel guitar and piano. B side is a weeper with steel guitarand piano to the fore. (MC)
From Andrew Brown:
There was a country singer named Don Payne who was from Austin, TX. I assume that Don Payne is the same one who recorded for Starday.
From Doug Brown:
Don's address at the time of the record release is lsited on the box photograph below.
Label Shots: Al Turner - Photos: Doug Brown








Wednesday, 4 November 2009

DRIFTWOOD RECORDS 526

KEN ROGERS
Aug 55 (BMI clearance on 23rd Sept 1955)
A - Soft Spot In My Heart
(R Himel) (Starrite BMI)
B - That Same Old Lie
(R Himel) (Starrite BMI)
DRIFTWOOD RECORDS 526
Po Box 1031, Houme, LA

I've drawn another blank on this artist and record. Label from Houma, LA and originally, the artist was listed here as Ken Roper (No wonder I couldn't find him :-))  Both sides are country with laid back lazy vocals and a band that swings a long so slowly, that they sound like they are in dire need of caffeine!! Flip is better by a yard or so but it's music to watch the sun go down to. (MC)

Source: Some Local Loser Blog

Tuesday, 3 November 2009

THE JONESES RECORDS 525

Mrs. R.D. JONES
Jul 55 (BMI clearance on 30th Sept 1955)
45-525-A - I Ain't Got Time
(Jones)   (Starrite BMI)
45-525-B - My Prayer For The Ones I Love
(Jones)   (Starrite BMI)
THE JONESES RECORD 525
Box 743, Bogalusa, LA
I love this record! It’s certainly a primitive recording and the fidelity seems to fluctuate here and there. But the guitar steals the show with some nice chording and fills whilst Mrs Jones sings along pleasantly. I always imagine Mrs Jones sitting at the family piano belting this out in front of the family whilst the marsh mellows toast in the fire. It’s a joyous record - fills this ol’ heart with a little glee. Flipside is an altogether sadder affair, and somebody’s playing an accordian instead of the piano but again, Mrs Jones is in fine vocal form. I can’t pinpoint exactly what it is about this 45, but for me I could listen to it again and again without getting tired of it. (Others I’ve played it to don’t even try to stifle a yawn so maybe it’s just me it effects). Only the large amount of Jonses in the Bogalusa area prevents me from phoning each one up and asking “Excuse me , are you Mrs Jones?” But on somebody else’s dime, I’d certainly give it a go.(MC)
Label Shots: Phil Tricker



CAROLINA RECORDS 524 (Updated)

FRANK LEVINER and his Pentacostal Musicians
Summer 55 (BMI clearance on 23rd Sept 55)
524-A - Keep Looking Up
(F Leviner) (Starrite BMI)
524-B - Plan Of Salvation
(No writers info) (Starrite BMI)
CAROLINA RECORDS 524
Route 2 - Box B, Bennettsville, SC

No info. Not heard the records. Never heard of Frank. (I feel like a failure!) The late BMI clearance suggests to me that was issued either August or September. Also, I'm unsure of the A/B side designations (well, I am now as I have a label shot). That's just how I wrote it down in my notebook all those years ago.

Source: Sumter Daily Item, 13 March 1954


STARDAY RECORDS 523

RED MANSEL and his Hillbilly Boys
Jul 55 (BMI clearance on 29th July 1955)
45-523-A - I've Crossed You Off My List
(R Mansel / A Stanley)   (Starrite BMI)
45-523-B - Broken Fickle Heart
(R Mansel / C Lee)   (Starrite BMI)
STARDAY RECORDS 523
(Tx Artist)
Nice bar-room honky tonk from Red and his Hillbilly Boys, with the A side being especially good. Fiddle, steel guitar and a nice upright piano with rhythm guitar and bass accomp. Red Mansell was (unsurprisingly) the star of “Red Mansell and Boys” on KFDA-TV, Amarillo, TX, (15 min slot on TV between 4:45-5:00pm (Tuesday) and again at 12:45-1:00 pm (Saturday) and was also heard daily over the radio station. He also appeared on Dan Menchuras’ Allstar label from Houston, TX after this release. (He signed a 2 year contract with the label in early April 1956.) “Johnny On The Spot” / “Would You Ever Believe It’s True” - ALLSTAR 7160 {Billboard stated that this release was "lightweight material (that) can't go far!"} and “My Only One” / “Going Steady With A Dream” - ALLSTAR 7174 are two of the better ones where rockabilly is concerned. Mansell appears on a writers credit on Starday 518. (MC / Rockin’ Country Style - Terry Gordon)


Any info? Email me!

Label Shots: Al Turner.





STARDAY RECORDS 522

BILLIE and GORDON HAMRICK with the Low Country Gospel Band
Jul 55 (BMI clearance 24th June 55)
522-A - Our Prayer
(Donna O Smook) (Starrite BMI)
522-B - When I Feel The Spirit (Brother) I'm Gonna Shout
(Bernice Jennette) (Starrite BMI)
STARDAY RECORDS 522


Considering the fact that we have almost no info on the majority of the artists who graced a Starday Custom waxing, the cup on the Hamricks (husband and wife) is literally overflowing! They first appear on my radar as early as 1949 with a snippet of info in a billboard magazine - (Dec 31st 1949) "Billie and Gordon Hamrick, formerly on the "Dixie Barn dance" have moved to WSOB, Jacksonville, FL. Billie is Mrs. Gordon Hamrick in private life." I'd certainly like to know if they were recording around this time. Then, I find them again in Billboard (Aug 9th 1952) "Billie and Gordon Hamrick, formerly at WJHP, Jacksonville, FL have moved to WHAN, Charleston, SC. They recently inked with Hill and Range Publishers." Fifteen months later, they grace the pages of Billboard once again with this :- (Dec 19th 1953) "Billie and Gordon Hamrick have moved from WHAN to WCSC, Charleston, SC and still sponsored by Old Fort Packing Company." (By now I'm wondering if they actually came from Florida originally - they certainly seem to move around between radio stations quite a bit.) And again :- (13th August 1955) "Gospel singers Billie and Gordon Hamrick are now being heard over WUSN-TV, Charleston, SC. Their sunday afternoon "Old Country Church" program has had its time boosted from a half hour to an hour. Their latest on the Starday label is "Our Prayer." So, at this point we present our second gospel offering from the Hamricks, now featuring their Low County Gospel band (which may well have been uncredited on the RANGELAND 506). There is a feeling amongst collectors that the first disc sold well enough for a reprint, so Starday issued their second offering on their own label hoping to garner a bit more interest for the disc. (Others think the Hamricks paid extra for it to be issued on Starday.) Anyhow, it's a mandolin led country gospel for the A side. Bernice Jennette gets another slice of writers credit on the B side, which is a fast, fiddle led exhortation on the joys of having God in your heart. Kinda makes you wanna jump up in the aisles and yell “Hallellulah!” Finally, after ruining my eyesight slowly reading through yet more Billboard offerings, I come across a final snippet of info :- (Sept 3rd 1955) "C and W spinner Clarence Jackson of WJOT, Lake City, SC is now also doing a stint over WUSN-TV, Charleston, SC. Jackson plays steel guitar with Billie and Gordon Hamrick on their "Old Country Church" program." (Gee, after this, I almost feel like I know them personally :-) )


Any additional info or correspondence, please email me at: malcychapman@mac.com
so I can reply if necessary. If you send a message via Blogspot, it comes up as anonymous.

Label Shots courtesy of Kent Heineman and Lars Lundgren



B and G Hamrick (Unk date) (Source: Marty Hamrick)

Gordon Hamrick (1957/8) (Source: Marty Hamrick)




HOYTS RECORDS 521

REV. CAMPBELL with the Wonder Boy
Jun 55 (BMI clearance on 1st July 55)
521-A - Old Ship Of Zion
(R Campbell / J Smith Jr.)   (Golden State Songs)
521-B - You Can't Hurry God
(R Campbell / J Smith Jr.)   (Starrite BMI)
HOYTS RECORDS 521
Po Box 2069, South Greenwood, SC
HOYTS 521 was also issued on HOLLYWOOD 1036. I believe Rev Campbell is a black artist - a rarity amongst Starday Customs. Wonder Boy is apparently a J Smith Jnr. Two other recordings on Hollywood (“No Room For Liars” / “Stop That” - Hollywood 1037), (“This Is A Mean Old World” / “You Can’t Fool God” - Hollywood 1064) and at least three releases on HSE in the late 60’s pretty much exhaust the info I could find on Campbell. As an aside, Billboard stated (Feb 6th 1954) that Don Pierce had gained complete control of the Hollywood and Rec In Hollywood labels from John Dolphin. (MC / PJT / Gospel Records Vol 1 - C Hayes / R Laughton / Nate Gibson / M Proost)

Any info? Email me!

Label Shot (Hoyts): Michel Proost / Doug Brown
Label Shots (Hollywood): Nate Gibson
label Shot (Hollywood)78: Malcolm Chapman