Saturday 16 April 2011

FAITH RECORDS 629

THE RELATIVE QUARTET
May 57   (BMI Clearance on 21st June 1957. Billboard review on 18th August 1957.)
45-629-A - A Home For My Soul
(J Q Deal Jr. / Rheda L Strickland)   (Starrite BMI)
45-629-B - Heavenly City
(Rheda L Strickland)   (Starrite BMI)
FAITH RECORDS 629
Conover, NC

Lovely far-back-in-the-hills Gospel from what sounds like a white quartet. I can only hear an accoustic guitar being played, no other instruments and no solos. No personnel details, except perhaps the names listed as song writers.


The FAITH label turns up a fair bit later in the series with various addresses. I've wondered if FAITH was the gospel version of the DIXIE label. Can't be sure. (MC)


Label Shots: Phillip Tricker


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WILLIE NELSON RECORDS 628

WILLIE NELSON
May 57   (BMI Clearance on 21st June 1957)
45-628-A - No Place For Me
(Willie Nelson)   (Starrite BMI)
45-628-B - Lumberjack
(Leon Payne)   (Hill and Range BMI)
WILLIE NELSON RECORDS 628
Vancouver, WA

Willie Nelson was born 30th April 1933 and is by far, one of the most well known artists to cut a disc for the Starday Custom series. After studying music at home, he joined the Bohemian Fiddlers as their singer and guitar player. After graduating from high School in 1950, he joined the Air Force where he was eventually discharged for having back problems. After stints as a musician (he played bass for Ray Price) and as a DJ, he signed a contract with pamper Music as a songwriter. He wrote some of the best known country classics, such as "Funny How Times Slips Away", "Hello Walls", and "Crazy".


But back to this little gem. Both sides are dominated by an accoustic guitar (presumably by the man himself) and the vocals have a fair slab of echo added to it, giving it a slight haunting feel. There is a steel guitar nestled in the background - well, almost in the next room to be honest. The flip is okay; a nicely sung cover of a Leon Payne song. But it's the A side that really sticks out. (MC)
Label Shots : Phillip Tricker


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Friday 8 April 2011

STARDAY RECORDS 627

BOB and CINDY DEAN
May 57   (BMI Clearance on 21st Jun 1957.)
45-627-A - I’m Knocking On The Door (To Your Heart)
(Garland Cline)   (Starrite BMI)
45-627-B - One Life To Live
(Garland Cline)   (Starrite BMI)
STARDAY RECORDS 627

Bob and Cindy Dean were a popular Country and Western team who were based in Elkton, VA and made some stunning records throughout their musical career. Bob was born on the 26th October 1919 in Elkton (Cindy Morris was born December 24th 1924).
Bob’s musical career started in 1955/7 after he found a lead guitar picker, Leon Baxter, with whom he formed a band. Their first job was just a plain beer joint in NW Washington, DC, where they picked their music three nights a week. Through their popular live performances, Bob got a recording deal with DC Records. He remembered that in Virginia there was a good fiddle player, so he got in touch with him and talked over their would-be music venture. His name was Hank Dean and he also sang tenor. (Hank was no relation to Bob). Bob hired Hank and along with Leon, the three of them recorded “Maple On The Hill” and “I’m Sheddin’ Tears Over You” on DC 8049. The sessions took place at the Paragon Studios in Washington, DC.
DC Records were interested in releasing two more sides, as 8049 was selling well locally, thanks in part to Connie B Gay’s radio program “Town And Country Time”, and Bob’s personal appearances. Their next recordings were “Back To Old Smoky Mountain” and “I’ll take Her From The Valley” (DC 4101). By this time, Bob was opening up for acts at the Constitution Hall for Connie, being followed by the likes of T Texas Tyler and the Sons Of The Pioneers.
After the death of his father, Bob (and Cindy, who was his wife - the sleeve notes don’t mention how they met) moved to McGaheysville, VA to be with his mother. Bob worked for a while at a chemical plant, but once he was laid off, he decided to get into the music business full time. By now, Cindy was singing along side him. They formed a new band featuring his old school friend Eddie Michael on fiddle and Cindy learned how to play the stand-up bass. Carroll Ray was on electric guitar.

By 1955, Bob and Cindy Dean were winning first prize on a Connie B Gay show with a song entitled “Walk, Walk, Walking Blues”. This track, along with “When You Cross Your Heart” were eventually issued on Ben Aldeman’s KAY label from Washington, DC, with the flip side of the EP being taken up by two manic vocal recordings from Link Wray (“I Sez Baby” / “Johnny Bon Bonny”). According to the sleeve notes, these tracks were recorded in 1955.
How Bob and Cindy found themselves on Starday is a bit of a mystery as it’s not really explained in the sleeve notes. According to the session details listed on the LP, these were recorded in 1958 and their next Starday release (#688) was recorded in December 57. It mentions that a Frank Merica was on banjo at the session and Carroll Ray was still on guitar.



Label shots: Neil Scott



STARDAY RECORDS 626

BILLIE and GORDON HAMRICK with the Low County Gospel Band
Apr 57   (BMI Clearance on 26th April 1957.)
45-626-A - Gonna See My Lord Someday
(Nell Palmer)   (Starrite BMI)
45-626-B - Jesus Is The Name
(Nell Palmer)   (Starrite BMI)
STARDAY RECORDS 626

Another slice of Gospel heaven from the talented Billie and Gordon Hamrick.

A side is a torrid Blue Grass / Gospel number with nice harmonies. Very nice banjo solos, accompanied by a fiddle player. B side is slower with a Dobro more to the fore. Perhaps this is my favourite 45 by the artists so far. Almost makes me want to go to church! (except, in England, we'd have no music like this being performed.) (MC)
Label Shots: Phil Tricker


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COOSA RECORDS 625

ERNEST PAINTER
Apr 57   (BMI Clearance on 26th April 1957.)
45-625-A - No One But You
(Painter)   (Starrite)
45-625-B - Whispering Heart
(Painter)   (Starrite)
COOSA RECORDS 625
Shannon, GA


Sadly, no info on the artist. Nor have I heard either side. Ernest was brought into a recording studio by Hoyt Scoggins and most copies were given to DJ’s in the hope somebody more famous would pick up the songs. (MC)

Label Shots: Lars Lungren and Kent Heineman
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